It’s bad enough that the movie has a boiler plate slasher structure, but every step of the story is also telegraphed from the jump.

It invokes the Zucker Brothers and Jim Abrahams’ joke-a-minute pacing from Airplane! to and applies them to the stoic achievements of The Right Stuff.

Don’t expect jump scares or the blood-flowing final acts of many A24 titles in the genre. Jane Schoenbrun is much more interested in placing you in the shoes of a feeling.

Boy Kills World['s] side-scrolling thrills can lead to some pretty amazing action, but lack the story that makes such excitement worth following.

Nothing goes to waste in Challengers, which only sends its performances, and everything that surrounds them, sailing over the net into victory.

The continuing tale of Kora (Sofia Boutella) and her rag tag group of warriors plays a lot better in this part of the story.

Full of hidden delights, and a cheekiness that matches its mean streak, Abigail should surprise even the most hardcore movie-goers who think they know what to expect.

Henry Cavill and company are having so much fun, it’s infectious.

Civil War is an intellectual blockbuster triumph that continues to prove why the writer/director is one of the most compelling storytellers in the contemporary cinematic landscape.

Director Arkasha Stevenson helms a shocking feature debut.